Building & Room:
Raphael Magarik studies sixteenth and seventeenth century British literature, with interests in secularization and religion, theories of narration and the pre-history of the novel, labor and theatrical collaboration, Christian Hebraism and biblical studies, and early modern women's writing. His first book project, "Who Narrates the Bible? Reformation Narratology and English Biblical Poetry," argues that early modern scholars invented the idea of the biblical narrator, which in turn offered English poets models for their own, biblically themed poems and for fictive invention. He has published work from that project in Reformation, and he has articles in Milton Studies, Notes & Queries, and the Journal for Early Modern Cultural Studies, as well as an article forthcoming in PMLA. He has also written popularly, including for The New Republic, The Atlantic, The Daily Beast, Jacobin, and Haaretz. He tweets occasionally @raffimagarik.
“Milton’s Phylacteries: Textual Idolatry and the Beginnings of Critical Exegesis.” Milton Studies 57 (2016). 31-61.
“Free Indirect Revelation: Luther’s Moses and the Narration of Genesis.” Reformation 24 (2019). 3-23.
“Dependent Contractors: Timon of Athens, Collaborative Writing, and Theatrical Capitalism.” JEMCS 19.1. (2019). 28-64.
“Simile for the Devil: Paradise Regained and the Secularization of Satan.” PMLA. (forthcoming).